If Matti “Peltsi” Pellonpää were celebrating his 70th birthday, no one would be bored.
Checkmate “Peltsi” Field head (March 28, 1951–13 July 1995) was an amazing film actor, and he was an amazing guy even when the cameras turned off.
Pellonpää’s roles were comedy, loser, melancholy and the silence of a Finnish man.
In his own life, Peltsi was not a speechless man, he came to terms with everyone. He was no mind-boggling, even if sometimes there was reason to cry.
There was a rumor charisma in Pelts, but also a gentleman. When he pumped the logs, it always happened so politely that hardly anyone told the skis in the swamp. Of course, he also had the advantage of notoriety.
Often Peltsi was penniless, sometimes even missing a home address. But he did not sleep in a trash can, like Badding at one point, but comfortably in the office of the Kaurismäki brothers.
In Restaurant Elite, Peltsi shares a title table Tauno Palon with, quite deservedly. At some point, his mail went to Kosmos. At one point in Restaurant Messenius, he also went for a wash.
Peltsi went to the engagement countless times. Peltsi was Peltsi, none of the ex-fiancés have reminisced about him bitterly.
Happy Peltsi only found the relationship as the finish line approached. He was a cohabiting neuropsychologist Tuula Mentula with the last three years of his life. They were planning to get married, the honeymoon had also been considered. They didn’t get engaged.
Alongside the wind, Pelts became a comfortable man at home, visiting the restaurant only occasionally – in his former living room.
Having suffered from heart problems for a long time, Peltsi had begun to think that it was time to change his lifestyle. When he got a good relationship, the change was also successful.
When the doctor once pointed out to Pelts the possibility of a heart transplant, Peltsi said that it would work, as long as you move me along. It did not materialize.
Helsinki The beginning of Pellonpää, who spent his childhood in Hakaniemi, was not promising. He was a Fragile and Sick Child. However, as an active boy, he became Children’s radio standard performer.
Fieldhead debut role Boyswas so trivial that it might only have been noticed by my own mother. Edvin Laine directing Akseli and Elina in 1970 (1970) was already a bigger thing.
After the theater school, Pellonpää visited e.g. In group theater, his only attachment was on the Book stage in 1977–1979.
In the 1980s, Peltsi became acquainted Kaurismäki brothers. He made a breakthrough Mika Kaurismäki controlled by Worthlessin the main role of the film (1982) as a dishwasher Manne Ojaniemi.
The role was conveniently agreed at the Old Bar counter. The film has later been called the masterpiece of the new generation.
European Film Academy FelixPellonpää received the award for best film actor for his role Aki Kaurismäki directing In bohemian life. He did his role in French, skillfully reading from the rags.
Pellonpää did about a hundred role jobs. There were nine main roles in the films.
Pellonpää acted gesturelessly, as if he hadn’t acted at all. For example, the rubbish driver Nikanderina (Shadows in paradise, 1986) he does not vent his feelings in vain.
Memorable were Pellonpää’s film looks: down and up.
Bohemian lives In the documentary Aki Kaurismäki recalls that he said at Pelts’ funeral: keep the bar open. When a friendship is strong, it does not need to be anointed with jewelry.
High returns on films were generally not compromised. Until the mid-1990s, only a few Finnish films attracted viewers. Now is the second time, but there is no more Pelt.
The head of the field did also performed song gigs and lyrics in the band Peltsix as well as visited other ensembles. He hung out often Juice Widow with Tampere, mainly restaurant Tillika.
He also managed to do the sound actor’s job and direct and script the short film.
On July 13, 1995, Matti Pellonpää had a heart attack while he was on holiday with his wife Tuula in Vaasa. He was 44 years old at the time of his death.
Pellonpää was prepared to play the lead role in Aki Kaurismäki’s film Far away the clouds are escaping (1996), dedicated to his memory. After the filming, she was supposed to get married, finally.
Peltts died as a debt-free man, a surprise too, as he managed to get an advance on his role with which he paid his debts.
Furthermore, an opened Koskenkorva bottle is often brought to Pelts’ grave in Helsinki’s Malmi cemetery. That would definitely make him laugh.
“The story came all the time”
– Peltsi was a perfect film actor. The camera liked him. Why, it’s a secret – and you can stay that way, Mika Kaurismäki says.
According to Kaurismäki, the greatness of Pellonpää was influenced by a good sense of rhythm, that famous look and being in the moment.
The Kaurismäki brothers often stayed in their Pelts office when he lacked such luxury as an apartment.
– When we were still in a small office space on Kristianinkatu, the first job was always to move Peltsi from the mattress in front of the door, which was the only place the mattress could fit, Kaurismäki says.
Peltsi said that business is done, otherwise it’s like Ellu’s chickens.
The chronic shortage of money in the field was due to income variability, of course also his bohemian nature.
– Peltsi also failed to pay taxes at some point and the interest on it was high at that time. For a couple of years, he did not file a tax return, Kaurismäki says.
The work was always done by Peltsi. Kaurismäki does not remember any problem situation.
– Peltsi said that business is done, otherwise it’s like Ellu’s chickens.
The steady quality of character remained drunk as well, he was not a type of riot, but a company of joys.
– The story and joke came all the time, Kaurismäki says and laughs.
“Peltsi tore the bills and ate them”
– I got to know Pelts at the age of 15 on the youth side of the Cellar Theater. We were united by a similar sense of humor. The sheet metal was also really physical. There were also stunts and pranks, but not robbing, says director-author Janne Kuusi.
Kuusi and Pellonpää sometimes said that fear made them funny: they didn’t come to the head when they threw their lips with the bigger guys.
Janne Kuusi remembers Pelts as a man who did not have a relationship, an apartment and a telly. The serene phase he had was quite short.
– Peltsi bragged that he was engaged up to 70 times. They were often gigs of a few hours, lasting at best for weeks, Six says and laughs.
At the restaurant, Peltsin could enjoy more than just a drink.
– When there was no money for restaurant bills in Kosmos, Peltsi tore the bills and ate them.
But Peltsi was valued in his heels. The Elite even arranged a memorial service for him.
“Pelts had the skill of listening”
– The sheet metal did not eat oxygen from other actors. After all, the basic principle of acting is to make another shine. Pelts had the skill and respect for listening to another, actor colleague Kati Outinen says.
They became a memorable pair of films in Aki Kaurismäki’s Shadows in Paradise in 1986.
What was admirable about him was precisely that he accepted life as it came – without gossip.
Peltsi was always gentle with his character, he didn’t look at anyone from above.
– Even though life gives shit cards, we still live, Outinen says about Pelts’ world of thought.
The life of the sheet metal often seemed uneasy. Yet he did not arouse a sense of care.
– He didn’t have to be cared for. What was admirable about him was precisely that he accepted life as it came – without gossip.
Outside of work, Outinen and Pellonpää did not meet very often.
Its Outinen knows that Peltsi would not have left a friend in need. One of his great movie remarks was: If you find me lying on the street, turn your face up.
“Gentleman to the end”
– Peltsi was a wonderful guy, gentleman to the end. He had both a gentleman and a bum, director Matti Ijäs says with a laugh.
They often met in the Elite, where Peltsi was quite mobile.
– In his raucous days, Peltsi went from table to table blowing beer, but also knew how to listen to others. When he last visited Elite, he only drank cognac modestly, Ijäs says.
Peltts often borrowed money as well, usually he also repaid.
– At least it paid me back, Ijäs says.
Sources: Close-up of Matti Pellonpää (Lauri Timonen), Bohemian Life documentary (Janne Kuusi).
Source site www.is.fi