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20 years ago, a film appeared in theaters that stunned viewers – Ponterosa, starring Tony Halme, went down in history as “Finland’s worst film”

Ponterosa, who received “The Worst Finnish Film” and other awards, enjoys cult popularity.

The cast was of interest to those who premiered at the end of March 2001 Ponterosato the movie. Vesa Vierikko, Heikki Paavilainen and Santeri Kinnunen, but also a boxer and show wrestler Tony Halme as well as models Karita Tuomola (nyk. I like it) and Jenni Ahola.

I liked the 1997 Miss Finland. Ahola had gained a reputation as an Olvi girl, among other things.

The names had market value, especially celebrity names. Film producer and co-director Pasi Kemmon according to it was specifically wanted.

– From the beginning, it was just one of the basic ideas and the most important parts of the whole film. Because of the characters and also for the launch and marketing of the film. The theater distributor of the film also liked this idea, Kemmo answers by e-mail to IS.

Kemmo directed Ponterosa together with his brother Mikan with. The idea and script were written by Mika Kemmo. Their work on moving images had already begun in the 1980s.

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– We founded Rauma TV, the second oldest local television in Finland, in 1988 and we were involved in it until 2003. By the time I was in Ponterosa, I had been making commercial TV productions and commercials.

According to producer Pasi Kemmo, Karita Tuomola (now Tykkä, left) and Jenni Ahola were models for you with the camera.­

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Before Ponterosa the brothers did what was filmed in San Francisco Heartmixseries, which is considered to be the first Finnish reality. The 1996 series sparked a lot of discussion, and the reception was not very flattering either.

Heartmix – a great failure, said the title on Yle’s website when the series was shown as a remake in 2011. No reception depressed the brothers, as Ponterosa’s making says.

– The idea for Ponterosa was born in Mika’s own head. Perhaps the basis of the film was that in the 1990s we saw a couple Peter and Bobby Farrellyn popular comedy comedy, Pasi Kemmo sheds light on the background of the film.

The title of the film was a variation that was very popular in Finland at the time Bonanzain the name of the western series ranch Ponderosa.

Finn Ponterosa is a campsite in Åland where three models are on holiday with their manager. The supervisor of the area is Mauri, the Manager’s brother with sadistic features. He is played by Tony Halme.

Other individuals include Oscar, who suffers from impotence (Timo Julkunen) and the almost blind Jussi (Heikki Paavilainen). The campsite then hurts and happens, of all kinds. And bad humor blooms.

Getting celebrities in front of the camera was easy, according to Kemmo. Tuomola and Ahola were models for you with the camera.

– I called them and sent the script. After reading it, they came along. I think both did really well. By then, they were used to working in camera productions.

The main characters in the film Ponterosa are Oskari (Timo Julkunen), who suffers from impotence.­

Jenni Ahola, seen in Nelli’s role, remembers Ponterosa’s descriptions well. He has nothing but good to say about them.

– It was a fun project for a young person. You have to live life and try different things, Ahola says.

Ahola already knew Halme, whom she had met at various public events. Likewise, I like, with whom Ahola had been a model in the same fashion shows and descriptions.

– When I was asked to join, they had already promised to the project. It was nice to leave when you were familiar with it.

– I had started as a model when I was 15, so I had performed a lot. I also did plot gigs. The film was the natural thing, and I was later involved in other films, but of course I am an amateur actor.

According to Jenni Ahola, Ponterosa was a fun project.­

Ahola and Laura in West Ponterosa.­

Ahola has only seen the film in its premiere. He admits that the role as a model was cliché, but the role was done as it was written.

According to Ahola, there was a good mood in the working group.

– It was a wonderful experience and I met wonderful people.

“As a person, Tony was nice and even easy going”

Muri’s role was made specifically for Halme.

– Tony was absolutely paramount in the role of Mauri. Mika wrote Maurin with Tony in mind. I called Tony and sent him the script. He read it and came along. Fortunately, we got him, Pasi Kemmo says.

The public image of Halme, who died in 2010, was quite raucous, but according to Kemmo, he did his role with the help of a professional.

– No place to blame. He was a really experienced professional – learned in Hollywood productions. As a person, Tony was nice and even laid back.

The role of Maur in the Ponterosa film was made specifically for Tony Halme.­

A couple of years after the film’s premiere, Halme was elected to Parliament as a Member of Parliament for basic Finns.

There were also no problems in finding professional actors.

– Money is of interest to Actors – just like others. There was a strike by the actors during the production and so they didn’t have much work to do. Because of the strike, I had to pay them much more than what was agreed in the collective agreements after the strike, Kemmo says.

Santeri Kinnunen performed the father of the family in Ponterosa. Some were small for Kinnunen, who had already made several films at the time.

– Initially, I was asked for a slightly bigger role. I did not feel that the script I read was very much my own and the role didn’t fit the schedules at the time, Kinnunen recalls.

He agreed to his father’s boots.

– I was only filming for one day. It was shot quite smoothly somewhere near Helsinki in the place where the film’s campsite had been staged.

Santeri Kinnunen was first given a slightly bigger role in Ponterosa.­

It was a tongue in the cheek made the whole thing. Maybe more than I should have.

Kinnunen was on vacation with his family in the film and will be mistreated by a camp employee, Tony Halme.

– Halme was a nice man in civilian life. I didn’t have time to get to know him properly. He wasn’t an actor and certainly knew it himself.

– It was perhaps more about the degree of publicity, because there were well-known people who were not actual Actors.

According to Kinnunen, the film was not made with a frown.

– It was the whole thing done on the cheek. Maybe more than I should have. After all, the end result looks a bit, but it has its own questionable value.

The role in Ponterosa has not annoyed Kinnus in retrospect.

– After all, it’s a certain kind of merit that has been involved in tommos as well.

Gathered 2,552 spectators in theaters

In addition to Åland, the film was shot in Kirkkonummi, Helsinki and Vantaa.

– It was a great summer then and the filming went according to plan. Unfortunately, I no longer remember just any detail of the descriptions. I’ve done hundreds of productions since then, Kemmo says.

Ponterosa did not receive public support from the Film Foundation. Kemmo does not want to talk about the financing in more detail. It only states that it was treated on the basis of previous experience.

– I already had a long experience in financing such productions.

Satisfying reviews were not the only thing that weighed on Ponterosa. Viewership numbers also remained low. According to the website, there were 2,552 spectators in theaters.

– The number of viewers in cinemas was small, partly due to the small number of copies. Ponterosa got a bit of a plus after television distributions.

Julkunen and Halme in their roles.­

In addition to television, the film can be found on YouTube, where it has been viewed more than 100,000 times.

– Of course it’s really great. New generations have only rediscovered it. Over the years, several YouTube clips have gained up to more than 100,000 viewers per clip.

– FS Filmi Oy’s limited theatrical distribution was not financially successful, but vhs and dvd distribution and especially TV distribution were successful. Ponterosa is not a theater film but it was made mainly for DVD and TV distribution, Kemmo defends the poor audience figures of theaters.

Ponterosa was so bad that it became a good, cult stuff by some. One way or another, according to Kemmo, the end result was as planned for its parties.

– No production will ever become exactly what it was thought of before the filming. And good so. The film is a co-production – it involves a large number of people as creators and each of them brings their own part or “spice”.

Negative feedback was translated into a positive thing in marketing, the view that the barking of critics signifies quality in the eyes of the average viewer.

On the covers of the VHS cassette and DVD, it can be seen as quotations: “2 stars’… full skate” (Tuomas Värjölä, See). 1 star for ‘… unworthy rap’ (Timo Kuismin, IS) ‘.

According to the ad text, an understanding was found on the cable channel: “5 stars Moon TV”.

And at the end of the actual presentation text, there is even more skew for critics: “The journey to Ponterosa, which has delighted Finnish film critics alike, can begin”.

According to Kemmo, the brothers had no idea to continue making feature films after Ponterosa. However, through his company, he still works on commercial image productions. Mika Kemmo is currently a sports masseuse.

Kemmo does not regret doing what Ponterosa does and does not regret the reactions generated by the film.

– We wanted to make it a topic and it worked. We hoped Ponterosa would go down in history, and it did – because of its cult reputation.

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